Make Notes the same lenght

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Select Midi notes with the same Velocity

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Make notes same velocity

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Join same notes together

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Move Midi notes Up/Down

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Notes Humanizes (Swing to avoid robot playing)

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Automation Piano Roll

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Automation Lanes (To toggle all Automation Recorded)

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Step input keyboard

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Multi Split notes

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Display Notes Names and their Velocities

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Force Legato (trim notes to next note)

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Remove Overlap

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Toggle Note Audition (Sound when you click a note in Piano roll, green Midi plug at the top of Piano roll window)

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Select Midi notes of the same pitch

Or below

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Select Midi notes of the same key ( eg : A1, A4, A5 etc)

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Select same Sub Position notes (to select all notes which start at the same time on the grid)

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Select Midi notes with the same Articulation (eg Articulation for Saxophone inst)

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Select All notes between Locator

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Select All Muted Midi notes

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Time Handle

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Select All Muted Midi notes

Instead of Gain Stagging:

Functions(Arrange Window ) : Normalize Region Gain

Affect : Individual Regions

Algorithm : Peak

Target Level : -18dB

Above looks a bit weird but I will try to explain below:

• Gr1 Di Track is a Mono Track
• I/O is set to the correct Output(where the Re-Amp DI is) and Stereo Inputs(where Pre-Amp or Mics are) in the Sound Card.
• As you can see there is no output for the Gr1 Di Track. ( Ref to Logic Pro X manual [Recording Latency Compensation for I/O])
• Instead I add a Pre-Bus to an Aux, (above I send a Pre-Bus to Aux 43).
• Output of Aux 43 is set to Aux/Bus 38
• Then I can record the signal from input Aux/Bus 38 in any Audio Track with latency compensation.

Generally:

1. Put a I/O Plugin (Utility->I/O) in your plugins.
2. Set output and input for the I/O
3. Check the Latency Compensation with Ping in I/O
4. To record the Fx/Re-Amp with latency compensation, you need to reroute/send the output of the track to a bus(eg Bus 66),
5. Then create a new Audio track then select (eg:Bus 66) for input

Ps: If you are recording the signal directly from the Hardware input in the normal way (which means not using the bus routing as mentioned above). the signal recorded will have some phase issue from the original.

Channel strips contain a plugin config for a single channel strip.

Copy Channel Strip Setting : Alt + CMD + C

Paste Channel Strip Setting : Alt + CMD + V

Patches

Patches can include track stacks, multiple channel strips and include auxes, so you can combine a layer of multiple instruments and associated auxes in one patch, for example.

Nb: If you want the Busses to be stored in a Patch, you need to include them into a "track stacks" first and then you need to save the "track stacks" as Patch.

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You can use only one Audio Groove track in a project to lead other tracks (eg: Lead Vocal leading Back Vocals).

• Select the Main Audio Track (eg: Lead Vocal) with the yellow star on the left of the Logic Pro Track (this is hidden)
• Check in (checkbox) all Audio tracks (eg: Back Vocals) that need to follow the Main Track.

When you select a new Group, Logic will open the Group dialog in the Inspector. Give your Group a convenient name such as Drums

From here it’s important to enable two Group Settings in particular:

1. Editing (Selection)
2. Quantize-Locked (Audio)

Editing (Selection)

When enabled, Editing (Selection) ensures any selection you make is applied to the whole group. So if you decide to chop a section out from the overheads, that same cut will occur for all other the drum tracks.

Quantize-Locked (Audio)

In this case, Quantize-Locked (Audio) ensures your Flex edits are exactly the same across the kit.
By enabling both of these settings, you can commit Flex edits with confidence.
Once you’ve nailed those, there’s just one more step for locked in Grouping:

Q-References

Q-References are essentially your guide tracks for Flex. You get to tell Logic which tracks are the most important ones in the Group.

eg: for drums recording : Since most drummers play the kick and snare the most, I always choose the Kick and Snare as my guides.
Flex will analyze all your tracks. And Logic will cross-reference them with your guide tracks (with Q Ref green button selected). This means you won’t have way more Flex markers than you need.

Ps: If you need to edit transcients or anything in an individual track you will need to bypass the Group with : Shift – G.

If you need to manually remove third-party Audio Units plug-ins, you can find the files in the Library folders on your Mac.
You can install Audio Units plug-ins from manufacturers other than Apple to process audio in Logic Pro X, GarageBand, and Final Cut Pro. When installed, Audio Units plug-ins appear as individual components in the Library folders on your Mac:

• In the Finder choose Go > Go to Folder, enter "/Library/Audio/Plug-Ins/Components" into the Go to Folder field, then click Go.
• You can also check the Library in your Home folder. In the Finder choose Go > Go to Folder, enter "~/Library/Audio/Plug-Ins/Components" into the Go to Folder field, then click Go.

Built-in effects and instruments included with Apple apps like Logic Pro X, GarageBand, MainStage, and Final Cut Pro X don't appear in the Library folders and can't be removed manually.

• Arrange Window View menu (Not in the Main Window View menu)
• Secondary Ruler

if your secondary ruler does not display time(min,sec), you need to check< if Use Musical Grid is check

• Record from the Main Window Menu
• Use Musical Grid

• Vintage EQ Collection
• Compressor
• Tape Delay
When you place Tape Delay on your Stereo Output, set the following:
• Feedback: 0%
• Tempo Sync: Off
• Delay time: 0.0 ms
• Dry: Off
• Wet: 100%
Now hit play, and take note how your mix suddenly has a warmer tone than it once did.
• Phat FX